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Woodstock School of Art

Art School in the midst of Hudson Valley

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Printmaking

The Orkney Woodcut: Variations on the Provincetown Print

ABOUT THIS WORKSHOP:

The Orkney Woodcut is a distinct, straightforward, and press-free method of printmaking. The process combines elements of Japanese and Western print techniques with the Provincetown Print, and blends them into something new.

In this approach, two woodblocks and specially chosen stones from the Orkney Islands are used to create a uniquely variable edition of prints. This enables the printmaker to combine the texture of printing with the fluidity of painting. Any image can become a print. The more experienced artist will have surprises, and the less experienced artist will quickly feel successful.

During the three-day workshop, students will complete at least one or two prints and leave with even more images to print fresh at home, plus a handmade barren with a stone of their choosing.

Sunday – Tuesday, November 5, 6 and 7, 2023
9:00 AM – 4:00 PM
Studio 3 & 4

$381 ($346 tuition + $35 lab fee)

SUPPLY LIST

Before registering for a class and/or workshop, please review our Covid Policy.

In an effort to maintain our non-toxic environment, the Woodstock School of Art does not permit the use of turpentine or mineral spirits in the painting studios. Additionally,  Learn more. 

Those with special needs and/or requests may email the registrar.

Please note that for workshops lasting all day there is a one-hour break from twelve noon to one PM. Students are invited to bring lunch and eat at the school or may go to any of the local dining establishments. The school does not provide lunch or refreshments.

ABOUT THE INSTRUCTOR:

Jeanne Bouza Rose has been creating watercolor white-line woodcuts for over 20 years in the USA and on the remote Scottish islands of Orkney. By integrating Orcadian history and natural resources, she has helped the technique evolve into the unique Orkney Woodcut. Currently Artist-in-Residence at the Ness of Brodgar, a World Heritage Neolithic archaeological site dating back to 3200 BC, Jeanne lives mostly in Orkney but maintains and visits her Woodstock home throughout the year. 

She has been extremely successful in spreading watercolor white-line woodcuts, the only North American contribution to the art of printmaking, to the United Kingdom. Her artwork has been exhibited in galleries in the states and in Scotland and is in private collections throughout the world, including Herriot Watt University, Scotland. 

Living in Scotland allows her to chose a daily dog walk around the Neolithic Ring of Brodgar, the third largest stone circle in the UK. In 2022, two of her images painted at the Ring will be featured in the British Museum Shop to coincide with their World of Stonehenge exhibition, as well as a print version of the large work she painted at the excavation in 2018.

Having studied painting, drawing, and color with Richard Vaux, Hans Jennerjohn, Frances Avery, Staats Fasoldt, and printmaking with Milton Goldstein, it is no wonder that she works in a variety of media. In addition to the Orkney woodcut, Jeanne also works in watercolors and oil pigment sticks on large flat canvas and paints on lampshades.

Jeanne originally learned watercolor white-line print making from the late Pia Oste-Alexander at the Woodstock School of Art.

Carborundum Aquatint

ABOUT THIS WORKSHOP:

Carborundum aquatint is a painterly intaglio process achieving a wide tonal range without acid, rosin or toxic chemicals usually associated with traditional aquatint. Carborundum grit in various degrees of texture from course to very fine is mixed with acrylic medium and brushed on to either acrylic or mat board plates. When dry, the plate is inked and wiped like a traditional intaglio plate. The use of Plexiglas makes multi-plate registration very simple. The wiping of ink from a carborundum plate does not discolor ink as is common with zinc or copper plates. The instructor, in a long career as a master printer, has introduced this technique to artists such as Joan Mitchell and Emily Mason and examples of their prints will be shown.

Suitable for all levels; no experience necessary! Ages 18+

Saturday and Sunday, September 30 and October 1, 2023
9:00 AM – 4:00 PM

$282 ($262 tuition + $20 lab fee)

SUPPLY LIST
Anthony Kirk 2023 Schedule

In an effort to maintain our non-toxic environment, the Woodstock School of Art  does not permit the use of turpentine or mineral spirits in the painting studios.  Learn more.

Those with special needs and/or requests may email the registrar.

Please note that for workshops lasting all day there is a one-hour break from 12 to 1 PM. Students are invited to bring lunch and eat at the school or may go to any of the local dining establishments. The school does not provide lunch or refreshments.

ABOUT THE INSTRUCTOR:

Anthony Kirk, a master printer and artist, has for several years collaborated with Wolf Kahn in the printing of his monotypes using textured plates, water-based Akua inks and Caran d’Ache water- soluble crayons. Additionally, he has worked with Sigmund Abeles, Mary Frank, Helen Frankenthaler, Elizabeth Gourlay, Robert Kipniss, Joan Mitchell, James Rosenquist, Kiki Smith, Frank Stella, and Donald Sultan. Mr. Kirk has taught at The Hotchkiss School, Boston University, Massachusetts College of Art & Design, Hartford Art School, Center for Contemporary Printmaking, and many others. His work is in the collections of the British Council, Oxford University, Barclay’s Bank, Herbert F. Johnson Museum, Museum of Arts and Science, Columbia, SC; and the Library of Congress.

 

PMG Studio Rental – Screen Printing

ABOUT THIS RENTAL:

This rental is for SCREEN PRINTING ONLY. No instruction will be provided. Monitor: Polly Law

Wednesday, June 7, 2023
9:00 AM – 4:00 PM
Studio 3 & 4

$80 for 1 day rental ($70 tuition + $10 lab fee)

All students must pre-register to attend.

Before registering for a class and/or workshop, please review our Covid Policy.

In an effort to maintain our non-toxic environment, the Woodstock School of Art does not permit the use of turpentine or mineral spirits in the painting studios.  Learn more.

Those with special needs and/or requests may email the registrar.

PMG Studio Rental – Screen Printing

ABOUT THIS RENTAL:

This rental is for SCREEN PRINTING ONLY. No instruction will be provided. Monitor: Polly Law

Wednesday, June 7, 2023
9:00 AM – 4:00 PM
Studio 3 & 4

$80 for 1 day rental ($70 tuition + $10 lab fee)

All students must pre-register to attend.

Before registering for a class and/or workshop, please review our Covid Policy.

In an effort to maintain our non-toxic environment, the Woodstock School of Art does not permit the use of turpentine or mineral spirits in the painting studios.  Learn more.

Those with special needs and/or requests may email the registrar.

Monotype

ABOUT THIS WORKSHOP:

Open to artists of every stripe, this workshop is designed to open artistic blocks in painters and demystify the printmaking studio at The Woodstock School of Art. Students will explore the world of the unique print through demonstrations and hands on experimentation with ink, paper and press. No experience necessary, just be ready to try your hand in a new medium in a relaxed and stimulating environment.

Suitable for all levels, no experience necessary! Ages 16+

Monday – Wednesday, October 9, 10, and 11, 2023
9:00 AM – 4:00 PM
Studio 3 & 4

$388 ($346 tuition + $42 lab fee) 

SUPPLY LIST
KATE MCGLOUGHLIN 2023 SCHEDULE

Before registering for a class and/or workshop, please review our Covid Policy.

*In an effort to maintain our non-toxic environment, the Woodstock School of Art  does not permit the use of turpentine or mineral spirits in the painting studios. Additionally, please refrain from wearing perfume, cologne, or scents of any kind. Learn more.

*Those with special needs and/or requests may email the registrar.

Please note that for workshops lasting all day there is a one-hour break from twelve noon to one PM. Students are invited to bring lunch and eat at the school or may go to any of the local dining establishments. The school does not provide lunch or refreshments.

ABOUT THE INSTRUCTOR:

McGloughlin has had fifteen solo exhibitions and has been included in over 80 group shows in the US, Ireland, and Japan, and is represented in permanent collections at The Dorsky Museum, The Schenectady Museum, The Herbert  F. Johnson Museum and The Woodstock Artists Association and Museum. She teaches Printmaking and Landscape Painting at The Woodstock School of Art, Woodstock, NY. As Co-founder of Destination Arts Creative Workshops, she teaches travel workshops for artists in Mexico, Italy, Spain, Ireland, and Scotland.

 

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2470 Route 212, Woodstock NY 12498

Visit the Woodstock Chamber of Commerce for information on lodging, eateries, etc.

Office and Gallery Hours

845-679-2388

Funding is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

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